Photography techniques Ball lightning

Cause of ball lightning

Ball lightning is one of the few phenomena that are widely accepted in the popular and scientific community as being real, although none of the many theories can fully explain all reports of people who observed ball lightning.

The more 'successful' theories explain ball lightning as being caused either by glowing carbon fibres, 'maser' of the air (microwave amplification), gas discharges and such. Probably there are several different kinds of ball lightning that can be caused by different mechanisms. Whatever its cause, ball lightning is quite rare and very exciting to witness, if you are interested in lightning and thunderstorms.

Ball lightning is mostly witnessed as being a spherical glowing ball usually a few centimeters or inches in diameter, similar in brightness to a 100-Watt light bulb. It may exist several seconds, drift through the air, drift through glass panes or be connected to a metal structure, and it may end silently or explosively.

Ball lightning is said to occur mostly during active thunderstorms, and many reports seem to come from relatively flat areas (not mountainous). Almost every storm may produce ball lightning but they are rarely seen.

Photographing ball lightning

I have never seen a photograph that clearly shows ball lightning. Many if not most photos I have seen either show streaked photos from artificial light sources or powerline failures (sparks or fireballs originating from powerline transformers and such). Other photos possibly show ball lightning but very far away.

The best tactic to have any chance to document ball lightning is to have a digital camera ready to use at all times during a thunderstorm. That camera must have a lens attached and be turned on. But even that tactic may not work. The only possible ball lightning I have seen existed so shortly that I didn't even have time to grab my camera, even though it was ready to take pictures.

A photo that shows a streaked light purportedly being ball lightning often turns out to be fake. There is even more reason to be suspicious when the photographer didn't see anything unusual during the exposure.

Some possible causes for fake ball lightning photos

As said above, most photos that purportedly show ball lightning are either faked or accidentally show something else. Some possibilities for misidentification of ball lightning are:

• powerline faults, usually in the form of sparks or plasma arcs at transformers ('pole pigs' as they are called in the USA).

• photos of lightning while the tripod-mounted camera was bumped during the time exposure. Even though the lightning may not be blurred, because the bumping of the camera could have occurred before or after the flash, any foreground light such as a streetlight will show curious tracks along the photo with a bright ball of light at one end (the location where the streetlight appeared during most of the time exposure).

• fireflies that fly through the camera view; since they light up only briefly, they will show a short track of light in the frame.

• fireworks and flares.

• glowing sparks that jump away from the contact point of lightning with ground the instant it strikes.

Top Ten Digital Photography Tips---5. Horizon Line Mayhem

For some mysterious reason, most human beings have a hard time holding the camera level when using the LCD monitors on their digicams. The result can be cockeyed sunsets, lopsided landscapes, and tilted towers.

Part of the problem is that your camera's optics introduce distortion when rendering broad panoramas on tiny, two-inch screens. Those trees may be standing straight when you look at them with the naked eye, but they seem to be bowing inward on your camera's monitor. No wonder photographers become disoriented when lining up their shots.

Figure 5. How do you square up an image in the LCD viewfinder so it appears "level" when you view it later on the computer? Look for nature's horizontal lines and use them as guides. Sometimes you can use the line where the sky meets the ocean, other times you can use a strip of land as your level. In this case I used the shoreline of a mountain lake to help me align this composition. (Canon PowerShot G2, Aperture Priority exposure set to f-8, polarizer filter)

What can you do? Well, there's no silver bullet to solve all of your horizon line problems, but you can make improvements by keeping a few things in mind.

First of all, be aware that it's important to capture your images as level as possible. If you're having difficulty framing the scene to your liking, then take your best shot at a straight picture, reposition the camera slightly, take another picture, and then maybe one more with another adjustment. Chances are very good that one of the images will "feel right" when you review them on the computer. Simply discard the others once you find the perfectly aligned image.

If you practice level framing of your shots, over time the process will become more natural, and your percentage of level horizon lines will increase dramatically.