Tuesday, December 12, 2006

News--Local teen turns love of music, photography into budding business

Looking back at old photographs, and listening to some of our favorite songs ---- be them new or old ---- are some of the best ways to keep memories alive. Which is exactly what fifteen-year-old Anthony DiSano believed when he launched Temecula-based DiSano Photography one year ago. Influenced by his love of music, and his father's interest in cameras, DiSano decided to turn his love into a business.
"I got my first film camera from my grandfather when I was about 10 years old, and I loved it," said the Temecula Valley High School sophomore. "I took as many pictures as I could, but the camera ended up breaking because it wasn't a high-quality one. After that incident, I stopped taking pictures for awhile, but photography always stayed a big interest of mine. My dad was into photography a lot, and I was always intrigued by what he was doing. I would help him, and he taught me a lot, as well. About two years ago, I bought my own SLR, and became dedicated and focused enough to make photography a type of business for myself. I wanted to go somewhere with it, so I created a MySpace profile where I could showcase all of the bands and photo shoots that I've done. It started out as just a couple local bands, but now I've started to expand."
With a musical background, DiSano felt that shooting musicians doing what they love, creating music, was the ultimate way to go with his endeavor.
"I have been in a few bands, and have loved music since I was young," revealed DiSano. "I've had experience with various instruments, but I mainly just play guitar and sing. I've sung for a few different bands, and am currently in one right now. Over the years, I've worked at different venues, and am currently working as an apprentice for a sound-mixing studio. I'm happy to have found a way to incorporate both. I don't like to limit myself to being a music photographer ---- I like to do abstract stuff as well as basic scenic shots. Music is what I want to base my life around, so what better way is there to do that, than to try and capture the energy and power of music in a photograph."
And, of course, the perks aren't too bad either.
"I haven't received any financial support in my photography," said DiSano. "However, the fact that I get into shows for free, and often get free merchandise, or some type of hook-up is nice. Other than that, though, I pay for everything. It's difficult, but I get by. In a business where technology rules and money is the backbone for advanced technology, it is a struggle sometimes. There are always a lot of better cameras, better flashes, better memory, and pretty much all around better equipment that could help me out, but I stick with what I have. The old motto 'If it ain't broke, don't fix it' really gets me by."
So what is a typical day like for a photography ingenue? What course of action must he go through to prepare for the show, and his upcoming assignments?
"Since I'm still in high school, during the week I am going to school, doing homework, and other normal stuff," said DiSano. "Depending on my current assignment, I will have to work on my photos after school and on weekends. If it's the day of the show, my day is more hectic. I have to make sure everything is ready ---- check that the batteries are charged, and the memory cards are clean. Then I need to get a ride to the show. I usually get there early, before the crowds arrive, that way I can check my surroundings out. Usually I'm friends with the band and/or venue, so I hang out a bit. I check out the stage and see what I'll set my equipment to, then I just wait until showtime, when I can get to work. From there on it's nonstop photo taking. Following the show, I have to edit my pictures, and give myself credit for the ones that I'll be sending out. To finish it all off, I upload the pictures to my profile, then send them out to any of the bands, venues, booking companies, record labels, and just about anyone else who has requested them."
DiSano, who has worked with Vertex Clothing, as well as artists such as Covette, Bad Robots, Lower Definition, Yesterdays Rising, Shaunteclair, and I Am Ghost, may currently work with predominantly California-based bands, but he's looking to expand his photography empire.
"I mostly work with local artists, but I have also had the opportunity to shoot a few touring bands from other states, as well. I want to extend my work, and try to start projects with bands and groups from all over the world," he said.
"Currently, I mainly take action shots," said DiSano. "The first concert I ever went to got me hooked like a drug. The way the fans feed off the music, and the bands feed off the crowd is such an amazing feeling. The two reactions combine to become a swirl of expression and musical movement that just really impressed me. I sought out a way to become a part of that, and give back to the music scene, as well as try to capture what was being created. I believe that's why action shots interest me so much. I would like to attempt more promo shots though."
As for future photography jobs, DiSano isn't biased about his subjects, as long as they give him the opportunity to express himself, and to showcase moods and/or feelings in the end result.
"I want to photograph anything and everything I can. Not just bands, but anything that comes my way. I want to keep my mind open to different aspects of photography, and see where it takes me. I eventually want to create a website for my photography, and make it a part-time or even full-time career. In the future, I would like to have a partner or team of photographers whom I could assist, and, in return, they could assist me. I just want to see where this takes me."
To learn more about DiSano Photography or setting up a session, visit Anthony at myspace.com/disanophotography.
By: ERIKA SOROCCO - For The Californian

Monday, December 11, 2006

Top Ten Digital Photography Tips--Chapter3

3. Outdoor Portraits That Shine



One of the great hidden features on digital cameras is the fill flash or flash on mode. By taking control of the flash so it goes on when you want it to, not when the camera deems it appropriate, you've just taken an important step toward capturing great outdoor portraits.


In flash on mode, the camera exposes for the background first, then adds just enough flash to illuminate your portrait subject. The result is a professional looking picture where everything in the composition looks good. Wedding photographers have been using this technique for years.


After you get the hang of using the flash outdoors, try a couple variations on this theme by positioning the subject so the sun illuminates the hair from the side or the back, often referred to as rim lighting. Another good technique is to put the model in the shade under a tree, then use the flash to illuminate the subject. This keeps the model comfortable and cool with no squinty eyes from the harsh sun, and this often results in a more relaxed looking portrait.


Remember, though, that most built-in camera flashes only have a range of 10 feet (or even less!), so make sure you don't stand too far away when using fill flash outdoors.






Figure 3. By placing the subjects in the open shade beneath a tree and turning on the fill flash, both the boys and the background are properly exposed. (Canon PowerShot G2, 1/250th at f-4, flash on)




Saturday, December 9, 2006

Top Ten Digital Photography Tips--Chapter2

2.Sunglasses Polarizer
If you really want to add some punch to your images, then get your hands on a polarizing filter. A polarizer is the one filter every photographer should have handy for landscapes and general outdoor shooting. By reducing glare and unwanted reflections, polarized shots have richer, more saturated colors, especially in the sky.

What's that you say? Your digital camera can't accommodate filters. Don't despair. I've been using this trick for years with my point-and-shoot cameras. If you have a pair of quality sunglasses, then simply take them off and use them as your polarizing filter. Place the glasses as close to the camera lens as possible, then check their position in the LCD viewfinder to make sure you don't have the rims in the shot.

For the best effect, position yourself so the sun is over either your right or left shoulder. The polarizing effect is strongest when the light source is at a 90-degree angle from the subject.

Figure 2a.
If your camera doesn't accept filters, then you can still achieve the effects of a polarizer by placing your sunglasses over the lens. Figure 2a is shot normally without any filtration. Figure 2b is shot during the same session, but with sunglasses placed over the lens. Notice the enhanced colors and deeper sky tones. (Canon PowerShot S200, Program mode)
Figure 2b.

Friday, December 8, 2006

A Beginner's Guide to Wedding Photography

A Beginner's Guide to Wedding Photography
Have you ever been asked to take photos for a wedding? For some, wedding photography is a casual affair. Take a point-and-shoot camera, then snap away when the opportunity arises. For others, it’s a serious, full-fledged business.

Wedding photos are a challenge to take, simply because of the flurry of activities that go on and the wide variety of lighting conditions that may occur. This article will serve as a guide for those starting out in wedding photography, and will delve into various tips and tricks.
Preparation
One of the most critical elements in being a successful wedding photographer is preparation. You absolutely need to prepare ahead (at least 2 months’ ahead) of time. Get to know the bride and the groom, understand their needs and wants. Some good questions to ask are:
  • How many photographers will there be?
  • What type of photos would they like? Mostly formal group portraits? Or mostly candid shots of the couple?
  • How many guests will there be at the wedding? Are they mostly family members or friends?
  • Which locations will be used at the wedding? A church? Will there be a reception or a dinner?

Asking pertinent questions like these will help you understand the requirements for the wedding photos and thereby take better shots.

Locations, Events and Times

Once you’ve understood what the wedding locations, events and times are, find some time to go scout around those places.

For a church wedding, I usually like to go inside the church to check out the lighting, décor and environment. I try to find the correct places to position myself so I don’t mess up during the wedding day. Do take note that some churches do not allow flash photography during the wedding ceremony. So you may need to get a fast lens.

It’s also important to check out places like the reception area, or the podium where the speech will be made. If there will be a wedding dance, then check out the dance floor and the seating arrangement if possible.

Organize Your Gear

This is a critical step. I usually prepare 1 month ahead of the wedding date just to be sure I have time to get any equipment I’ve missed out. Here’s a list of critical equipment to bring for the wedding day shoot:

  • Digital camera: This one is obvious. It’s good to have a backup analog camera as well, just in case.
  • Camera Lenses and filters: Take along any special lenses or filters you want to use.
  • Tripod: Another critical piece of equipment, important for indoor shots under low light.
  • Memory cards: Bring at least two 1 GB cards. I’m not kidding – you won’t believe how many shots you’ll take during a wedding.
  • Portable drive: This is critical in case you run out of space on those memory cards.
  • Assistant: Try to bring along an assistant. It could be a friend or a help at the wedding. He or she can help you arrange the group before you take photos, taking a lot of stress off you.

On the Wedding Day

Ok, let’s assume the actual wedding day, has arrived. Here’s a typical sequence of events to help guide you on the wedding photography process.

At the House

If you’re taking shots of the bride getting ready, please be early. In fact, you should be one of the earliest to arrive so that you can set up your positions, tripods or whatever equipment you need to use.

At the Church

Once you’re at the church, find out where the priest will be standing. Position yourself in an appropriate position. Some critical locations where wedding photos must be taken include the entrance to church, the aisle and the place where the couple will stand.

And here’s another tip – it’s important not to get too excited about your shots so early on the wedding day. Remember, you have a long day for taking photos. I once did a wedding where I snapped so many photos at the church entrance, I nearly ran out of memory card space by the time the couple exchanged vows!

If there happens to be a church reception, make sure you’re out to the reception area faster than the rest of the guests, and perch yourself in the correct position. Receptions are a good time to capture candid and fun shots, so knock yourself out.

Formal Group Shots

If there are any formal group shots to be taken, be sure your assistant is there to help you. Try to start with the big groups, then slowly remove family members so that you can get the various combinations of family and friends required.

Cleaning up

What do you do after shooting the wedding photos? Well, plenty! You need to do some basic image editing, like removing red eye, cropping and rotating. You also need to burn the photos into CDs and DVDs, (usually in a slideshow format). If you’re in the wedding photography business, you should know that you cannot delay this step. Try to get the CD or DVD final package out to the happy couple as soon as you can.

Conclusion

Whew! That’s a lot of information about wedding photography. Do remember that while wedding photos are challenging to take, they can be very rewarding. Especially when you see the couple smiling and reminiscing about how wonderful their wedding day was. Try to keep the above tips in mind the next time you’re shooting wedding photos. Who knows, one day you may open your own wedding photography business too!

Top Ten Digital Photography Tips--Chapter1

Top Ten Digital Photography Tips

You've heard this before: Digital cameras do all the work. You just push the button and great pictures magically appear. The better the camera, the better the photos. Isn't that right? Heck no!

The truth is that you can make great photos with a simple consumer point-and-shoot camera, or take lousy shots with the most expensive Nikon. It's not the camera that makes beautiful images; it's the photographer. With a little knowledge and a willingness to make an adjustment here and there, you can squeeze big time photos out of the smallest digicam.

To help you down the road to great image making, here are ten tips that will enable you shoot like a pro (without maxing out your credit card on all that expensive equipment).

1. Warm Up Those Tones

Have you ever noticed that your shots sometimes have a cool, clammy feel to them? If so, you're not alone. The default white balance setting for digital cameras is auto, which is fine for most snapshots, but tends to be a bit on the "cool" side.

When shooting outdoor portraits and sunny landscapes, try changing your white balance setting from auto to cloudy. That's right, cloudy. Why? This adjustment is like putting a mild warming filter on your camera. It increases the reds and yellows resulting in richer, warmer pictures.

Figure 1a.











Figure 1b.





Figure 1a is shot outdoors in a mountain environment with the white balance set to auto. Figure 1b shows warmer tones thanks to using the "cloudy" setting and a pair of Costa Del Mar sunglasses over the front lens. (Canon PowerShot S200, Program mode)

If you don't believe me, then do a test. Take a few outdoor shots with the white balance on auto, then take the same picture again with the setting on cloudy. Upload the images to your computer and look at them side by side. My guess is that you'll like the warmer image better.